Of course, you can find features such as VCA faders, smart arrow tool and range editing.

After all, there are just so many of them lingering in the depths of le internet.

In fact, choosing from good DAWs is like finding the most suitable companion for carrying out your audio production endeavours.

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The problem is that a lmost every software out there on the market lays claim to be the best DAW for Windows 2019, or the best digital audio workstation of the year for guitarists, and what not.

Theres no need to skim through Reddit or internet discussion forums.

But, a careful assessment of your skills (beginner or pro), choice of pluginsVSTs, responsiveness of the user interface, MIDI support, comping features, and other factors will make it possible for you to make a decision in no time.

For starters, you cant help but revel in the fluidity of the stock plugins (based on the Avid channel strip) that are more than enough to compensate for third-party VSTs and AU plugins.

So, you can easily turn your guitar riffs and licks into a sonic masterpiece in no time.

Not to mention, you can still incorporate third-party VSTs all you want, but you might not need them.

Whats more, Pro Tools offers non-destructive or non-linear editing with low latency allowing users to go back and forth their edits while they add real-time EQ and dynamics to a clip.

Moreover, you can view chord names and notes as you play them in the MIDI editor and back up to 512 MIDI tracks.

In fact, you can also back up to 512 instruments and 128 audio tracks.

It is a comprehensive suite for MIDI production and recording and is replete with everything a pro musician would warrant to compose, record, edit, mix and master their tunes.

Not to mention, new AU plugins for loads of creative effects, vintage EQ and advanced reverb.

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Also, you can revel in its Flex Time feature with which you can manipulate the tempo plus timing of your recording and swiftly move the beats in a single waveform to rectify drums, vocals, guitar, or bass.

Lets talk about 4 of its brand new plugins first: the Wavetable synth plugin allows more flexible and deep modulation in your tracks.

We were particularly quite enamoured by Ableton Live 10s touched-up interface wherein the graphics are more sharper with thinner fonts for channel and clip titling.

In fact, Capture can recall random MIDI notes from your last session which sound like a solid chord progression or tasty melody that went unnoticed as you were fiddling with something else during your last session.

For instance, Capture can recall MIDI keyboard notes, auto-guess the tempo and place them directly onto your project How cool is that.

You can still find Cubase being recommended by bigindependent producers, and mixing engineers as the best DAW for Windows and Mac thanks to its highly efficient workflow and amazing MixConsole that delivers a pro-mixing experience.

Vari Audio can also be used for MIDI-style note editing for changing your mono vocal lines.

So much so, users can seamlessly integrate monitoring setups into their mixing and recording workflow through Cubases powerful Control Room.

Over the past few years, Studio One has become increasingly popular for mastering your tracks and for a good reason.

For instance, it sports a nifty Scratch Pads editor that can be harnessed to experiment with different versions of a section, say a guitar solo, without affecting your existing work.

A scratch pad can also be saved inside your Studio One project file.

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